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Tag "public space"

How do we like Philadelphia’s newest Park? We’ve made many vis­its to the Race Street Pier expe­ri­enc­ing it in the early morn­ing, after­noon, and evening.

The Pier is a won­der­ful addi­tion to the city and the neigh­bor­hood. The design is dra­matic with a ris­ing decked walk­way on the north-side that ends with a com­mand­ing over­look high above the water and a paver brick walk­way close to the water on the south-side. The split on the north rises above the river and closer to the rum­bling of traf­fic on the Ben Franklin Bridge. The ever present sounds of cars and trucks is inter­rupted by rhyth­mic sched­uled dashes on steel rails by Patco trains. Walk­ing down to the lower south-side it feels qui­eter and the nar­row tri­an­gle of turf makes for a qui­eter more con­tem­pla­tive space.

The pier is wel­com­ing in the day­light even if the roads and side­walk paths are not. No amount of trees, shrubs, or pub­lic art can dampen the unpleas­ant expe­ri­ence of walk­ing under the bridge, past the I95 ramp, and cars speed­ing past you in mul­ti­ple lanes

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hirshornbubble

We’ve spent plenty of time on the national mall usu­ally in a gath­er­ing to protest an injus­tice and lend a voice for a more per­fect union. Imag­ine our sur­prise at this new pro­posal for struc­ture that would bring cre­ative cul­ture to the cen­ter of civic energy.
What an inter­est­ing approach to a design a dual agenda: raise the museum’s national pro­file and to put Wash­ing­ton in closer touch with cre­ative life around it. Within weeks he was pro­mot­ing his vision to leg­is­la­tors, museum direc­tors and for­eign cul­tural attachés.

The direc­tor of the Hir­shorn Museum and Sculp­ture Gar­den, Richard Koshalek pro­poses erect­ing an inflat­able meet­ing hall That would pop out of the inter­nal court­yard of the museum.
This is an excit­ing idea from any design point of view includ­ing archi­tec­ture and place­mak­ing, The other excit­ing aspect is a tem­po­rary struc­ture reduces bud­get yet expands the impact the museum can make.
Con­grat­u­la­tions to Mr. Koshalek and the Museum for such bold think­ing.

Designed by the New York firm Diller Scofidio & Ren­fro, the translu­cent fab­ric struc­ture, which would be installed twice a year, for May and Octo­ber, and be packed away in stor­age the rest of the time, would trans­form one of the most somber build­ings on the mall into a lumi­nous pop landmark.

from the NY Times

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