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Ani­mated appraisal? I think not. This is a filler piece that The New York Times has listed under it’s sports sec­tion. I imag­ine it’s there to sprin­kle a lit­tle design item into the Olympic coverage.

You can watch the video with the sound off since there isn’t much value added lis­ten­ing to Steve Heller’s voice over. I would call it a scrap­book. Lit­tle snips of Olympic Pic­tograms past with pathetic attempts at ani­ma­tion which don’t add any­thing to the story. I’m sure with just a bit more effort some­thing more infor­ma­tive and sat­is­fy­ing could have been done. Adding some labels and a time­line with dates and cities would have been a sur­vey. This piece was a meaningless.

I’m not really sure why the Olympic com­mit­tee has the pic­tograms redesigned for each Olympics. Seems the smarter path would be to have a fixed sys­tem. Then the visual lan­guage and cul­tural expres­sions of the coun­try and city would embrace the infor­ma­tion sys­tem and cre­ate it’s own layer of identity.

I imag­ine it’s about money in the name of cre­ative freedom.

For the record favorite Olympic iden­tity : Mex­ico City

For the record favorite Olympic pic­tograms : Bei­jing 2008 and Lille­ham­mer 1994

I think that Los Ange­les may win for my most dis­liked. Well, then there was Atlanta.

see the New York Times post >

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Fast Com­pany has a nice fea­ture on the 2010 Win­ter Olympics. Iden­tity stan­dards, graphic treat­ments, and the incred­i­ble num­ber of appli­ca­tions of the iden­tity are a con­sid­er­able task.

Prob­a­bly the most pro­found oppor­tu­nity to cre­ate an object of last­ing mean­ing for the games is the medal pre­sented to the ath­letes. Three lev­els of achieve­ment for Olympics and the Paralympics

The Olympic Medals for 2010 were designed by Omer Arbel and Cor­rine Hunt. They were cast from met­als recov­ered from dis­carded com­puter moth­er­boards. This video is an inter­view with the design­ers about their process and efforts on behalf of Van­cou­ver Olympic orga­niz­ers to reflect the cul­ture and val­ues of the city.

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