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February, 2010 Monthly archive

I have always loved poetry. It has drawn some of the most vivid pic­tures I have ever seen. In this case Ron­nie Bruce a film stu­dent at Tem­ple Uni­ver­sity visu­al­izes the words of poet Tay­lor Mali using typog­ra­phy and ani­ma­tion. So well exe­cuted we do not lose sight of the mean­ing or the pic­ture they draw — we gain new insight into the pac­ing and mean­ing the poet artic­u­lates. We read the words as the poet says them; bur­nish­ing them into our heart and mind.

This vid real­izes the poten­tial of com­mu­ni­ca­tors when they do good work. It is not spec­tac­u­lar. It is not just clever. It speaks and we understand.

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Ani­mated appraisal? I think not. This is a filler piece that The New York Times has listed under it’s sports sec­tion. I imag­ine it’s there to sprin­kle a lit­tle design item into the Olympic coverage.

You can watch the video with the sound off since there isn’t much value added lis­ten­ing to Steve Heller’s voice over. I would call it a scrap­book. Lit­tle snips of Olympic Pic­tograms past with pathetic attempts at ani­ma­tion which don’t add any­thing to the story. I’m sure with just a bit more effort some­thing more infor­ma­tive and sat­is­fy­ing could have been done. Adding some labels and a time­line with dates and cities would have been a sur­vey. This piece was a meaningless.

I’m not really sure why the Olympic com­mit­tee has the pic­tograms redesigned for each Olympics. Seems the smarter path would be to have a fixed sys­tem. Then the visual lan­guage and cul­tural expres­sions of the coun­try and city would embrace the infor­ma­tion sys­tem and cre­ate it’s own layer of identity.

I imag­ine it’s about money in the name of cre­ative freedom.

For the record favorite Olympic iden­tity : Mex­ico City

For the record favorite Olympic pic­tograms : Bei­jing 2008 and Lille­ham­mer 1994

I think that Los Ange­les may win for my most dis­liked. Well, then there was Atlanta.

see the New York Times post >

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Fast Com­pany has a nice fea­ture on the 2010 Win­ter Olympics. Iden­tity stan­dards, graphic treat­ments, and the incred­i­ble num­ber of appli­ca­tions of the iden­tity are a con­sid­er­able task.

Prob­a­bly the most pro­found oppor­tu­nity to cre­ate an object of last­ing mean­ing for the games is the medal pre­sented to the ath­letes. Three lev­els of achieve­ment for Olympics and the Paralympics

The Olympic Medals for 2010 were designed by Omer Arbel and Cor­rine Hunt. They were cast from met­als recov­ered from dis­carded com­puter moth­er­boards. This video is an inter­view with the design­ers about their process and efforts on behalf of Van­cou­ver Olympic orga­niz­ers to reflect the cul­ture and val­ues of the city.

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00A1F2

Brings to mind those push up ice pack­ets when we were kids. Your lips and tongue would be a blue. There really wasn’t any thing nat­ural about fla­vor or color. Still see them some­times in the heat of summer.

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John Maeda lives at the inter­sec­tion of tech­nol­ogy and art, a place that can get very complicated.

This talk cre­ates more ques­tions than answers. It is about observ­ing, ques­tion­ing, and exper­i­ment­ing. Cre­at­ing some­thing new that adds to the uni­verse. Some­thing that brings joy. Orga­niz­ing found objects and every­day things to make some­thing totally new.

John Maeda uses imag­i­na­tion to inspire. Live one day as John Maeda. Think what would John Maeda do with this? Open your mind to new and cre­ative ways to move for­ward in what­ever you do.

BTW Mr Maeda is no longer at MIT he is now Pres­i­dent of Rhode Island School of Design. You can find out more about what he is doing there. http://www.risd.edu/president/

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I posted a video about how Sports Illus­trated was imag­in­ing the use of  the iPad plat­form and it was pretty inter­est­ing con­sid­er­ing that it really addressed con­tent. It wasn’t eye-candy.

This video is being shared all over the place as the next com­ing. Not all that imag­i­na­tive. These are all pretty sim­plis­tic ways of adding inter­ac­tiv­ity once you have a touch screen. So, will you care after the first three times you use it? Will you want to inter­act with con­tent this way on a reg­u­lar basis?

How will a reader be able to avoid the adver­tis­ing is the ques­tion that comes to mind. Will adver­tis­ers want to invest the resources needed to make adver­tis­ing for these kind of pub­li­ca­tions? Adver­tis­ers a con­sis­tent model to build ads. For pric­ing and pro­duc­tion. Seems like a big barrier.

With each pub­li­ca­tion design­ing it’s own inter­ac­tiv­ity where is the com­mon interface?

Wired has thought about lots of spin­ning and inter­ac­tiv­ity but noth­ing that seems to enhance the CONTENT/CONTEXT experience.

In fact even they state that they are hop­ing that peo­ple will pay for it. The expec­ta­tion on the web is FREE. Ads, but free. Peo­ple do not want to pay for deliv­ery and con­tent. Peo­ple don’t want the cable model anymore.

Just not con­vinced that this par­tic­u­lar eco­nomic model is sustainable.

Maybe they should go have a talk with Steve Jobs. I hear he has a few ideas how pub­li­ca­tions can work.

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It makes us think of the berries on bit­ter­sweet (Celas­traceae) bushes.

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Watch the whole speech, really. I have noth­ing  to add. Love to hear your thoughts.

Your qual­i­fi­ca­tions, your CV, are not your life, though you will meet many peo­ple of my age and older who con­fuse the two. Life is dif­fi­cult, and com­pli­cated, and beyond anyone’s total con­trol, and the humil­ity to know that will enable you to sur­vive its vicissitudes.

On fail­ure :

So why do I talk about the ben­e­fits of fail­ure? Sim­ply because fail­ure meant a strip­ping away of the inessen­tial. I stopped pre­tend­ing to myself that I was any­thing other than what I was, and began to direct all my energy into fin­ish­ing the only work that mat­tered to me. Had I really suc­ceeded at any­thing else, I might never have found the deter­mi­na­tion to suc­ceed in the one arena I believed I truly belonged. I was set free, because my great­est fear had been realised, and I was still alive, and I still had a daugh­ter whom I adored, and I had an old type­writer and a big idea. And so rock bot­tom became the solid foun­da­tion on which I rebuilt my life.

on imag­i­na­tion :

Now you might think that I chose my sec­ond theme, the impor­tance of imag­i­na­tion, because of the part it played in rebuild­ing my life, but that is not wholly so. Though I per­son­ally will defend the value of bed­time sto­ries to my last gasp, I have learned to value imag­i­na­tion in a much broader sense. Imag­i­na­tion is not only the uniquely human capac­ity to envi­sion that which is not, and there­fore the fount of all inven­tion and inno­va­tion. In its arguably most trans­for­ma­tive and rev­e­la­tory capac­ity, it is the power that enables us to empathise with humans whose expe­ri­ences we have never shared.

You can read the full text of the speech here : Har­vard Magazine

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It doesn’t take much imag­i­na­tion to get the dif­fer­ence hav­ing a good tablet device will make to media providers/publishers. It actu­ally may awaken the pub­lish­ing indus­try to the require­ment to pro­vide con­text and new mean­ing to the sto­ries they pub­lish. We can google any­thing we want to on the web, but it is raw data. Con­text is what is needed and this new portable plat­form may be just the place for pub­lish­ers to really get inter­ac­tive media religion.

Here’s a video to stim­u­late your imagination.

This col­lab­o­ra­tion between The Won­der­fac­tory and Time, Inc. is an excel­lent exam­ple of how tablets will enable the cre­ation of inno­v­a­tive, addic­tive expe­ri­ences by pub­lish­ers, media com­pa­nies, and advertisers.

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books on my shelf

Thrilled to get our Flickr account up and active. We’ll be able to con­nect our tum­blr, blog, and other social media more effec­tively. You could also just stop there for a visual take on what we are up to and what inter­ests us.

Flickr pho­tos >

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